5.3 Ownership of Copyright

The first-ownership (the author (the creator's first-title principle)). The special-ownership faces:**1. The employment's face — the employee's work (the employer's ownership (the journalism's core (the staff-journalist's article: the publisher's employer-face (the contract's resolution))); the commission's face (the commissioned-work's agreement rule).2. The film-and-sound (the producer's ownership (the contribution's complexity (thedirector's-and-composer's rights' co-existence))).3. **The assignment-and-licence (the transfer's machinery (the written-assignment's discipline; the licence's grant (the exclusive-vs-non-exclusive (the territorial-and-duration terms (the media's syndication world))))).4. The collective faces (the collecting societies (the music's public-performancecollection (the royalty's infrastructure)); the orphan-works' problem (the owner-unfindable (the use's dilemma))).5. **The moral rights' separation (the author's paternity-and-integrity (the attribution's right (the distortion's bar) — the economic-rights' non-exhaustion (the author's continuing-personal right (the plagiarism's moral face))).