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Unit 6: Oral Advocacy and the Moot’s Performance
6.1 The Oral Submission’s Structure (the Argument’s Architecture)
- The opening (the courtesy (the “May it please…”-type-form ( the bench’s-address)); the introduction (the counsel’s-identity (the parties’-and-the-relief’s-one-minute-summary (the roadmap’s-giving))));
- The issues’-argument (the one-by-one (the issue’s-statement → the law’s-proposition (the authority’s-support (the statute-and-the-case (the citation’s-discipline (the name-the-court-the-year (the holding’s-one-line))))) → the facts’-application (the “in-this-case…” (the analogy’s-and-the-distinguishing’s (the opponent’s-case’s-pre-emption)))) → the conclusion’s-ask (the specific-relief’s-restatement)));
- The closing (the summary (the prayers (the thanks (the time’s-respect))));
- The discipline’s-rules: the time’s-mastery (the 15-20-minute’s-budget (the major-and-the-minor-points’ allocation (the reserve’s-keeping))); the bench’s-engagement (the question’s-welcome (the pause-and-the-answer (the never-guess (the honesty’s “I will verify”-permission)); the never-interrupt (the write-and-the-return))); the notes’-use (the bullet’s-glance (the never-reading)); the style (the slow-and-the-clear (the pause’s-power (the simple’s-superiority (the LAW5601-U7’s-witness-lesson-applied-to-the-self)))).
6.2 The Reply and the Rebuttal
The reply’s-right (the petitioner’s-final-word (the respondent’s-points’-answer (the mischaracterisation’s-correction))); the rebuttal’s-art (the new-argument’s-no (the answers-only (the strongest-three’s-selection))); the surrender’s-grace (the weak-point’s-concession (the credibility’s-investment (the honest-advocate’s-power))).
6.3 Language and Delivery (the Voice’s Craft)
The language’s-choice (the English-and-the-Nepali (the court’s-practice (the Nepali’s-pleading-faces (the LNEP-course’s-companion-note (the skipped-Legal-Nepali’s-honest-mention: the practice’s-own-need)))); the technical’s-translation (the principle’s-plain-expression)); the delivery’s-faces (the volume (the pace (the eye-contact (the body’s-stillness))); the nervousness’s-management (the preparation’s-antidote (the rehearsal’s-three-times-rule (the mirror-and-the-mock))));
6.4 The Viva Preparation (the 10-Mark-Face)
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